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Genre: Comedy / Romance
Duration: 112 minuten
Country:
United States
Directed by: Ernst Lubitsch
Stars: Gene Tierney, Don Ameche and Charles Coburn
IMDb score:
7,4 (12.068)
Releasedate: 5 August 1943
Heaven Can Wait plot
"He believed in Love… Honor… and Obey – That Impulse!"
The moment Henry Van Cleve trades the temporal for the eternal, he realizes that he is extremely unlikely to go to heaven. He therefore reports directly to the gates of hell, but is surprised to learn that he is not simply accepted. He must first convince His Excellency that his way of life justifies a stay in hell. Henry looks back on all the women he has known in his life, starting with his mother. The next woman to leave traces is his French governess: thanks to her, young Henry gains considerable life experience, much to the dismay of his parents. The most important woman is without a doubt Martha, his cousin Albert's betrothed.
Actors and actresses
Henry Van Cleve
Martha Strabel Van Cleve
Hugo Van Cleve
Mrs. Strabel
His Excellency
Bertha Van Cleve
Albert Van Cleve
E.F. Strabel
Yvette ("Mademoiselle")
Randolph Van Cleve
Reviews & comments

Movsin
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- 7562 messages
- 8025 votes
Frisse romantische komedie met heerlijke personges als "his Excellence" als de duivel, de vlotte "mademoiselle, het "tegenstrijdige" echtpaar met de onvergetelijke Eugene Pallette, maar ook met een uitmuntende acteerprestatie van Don Ameche. Erg diepgaand is het allemaal niet en eigenlijk hoeft dat niet, want wat mij vooral bekoorde waren de vlotte, vaak onschuldige maar ook gevatte dialogen (If you walked in a restaurant, I'de be a waiter, if you were in a burning building, I'de be a fireman, if you walked in a elevator, I'd stop it between two floors and spend the rest of our lives...) die bovendien uitstekend werden gebracht. Ernst Lubitsch, die in die veertiger jaren enkele suksessen bracht, maar ook reeds heel wat vroeger actief was, zet hier een originele, genietbare en ontspannnde film neer.
Fresh romantic comedy with wonderful characters such as "his Excellence" as the devil, the smooth "mademoiselle, the "contradictory" couple with the unforgettable Eugene Pallette, but also with an excellent performance by Don Ameche.
It's not all that deep and actually it doesn't have to be, because what particularly appealed to me were the smooth, often innocent but also witty dialogues (If you walked in a restaurant, I'd be a waiter, if you were in a burning building, I'd be a fireman, if you walked into an elevator, I'd stop it between two floors and spend the rest of our lives...) which were also delivered excellently.
Ernst Lubitsch, who achieved several successes in the forties, but who was also active much earlier, has created an original, enjoyable and relaxing film here.


Roger Thornhill
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- 5486 messages
- 2153 votes
Uitstekend stuk, yeyo. Net de film weer eens herzien, en je hebt er toch knap delicate laagjes in aangeboord. Een mooie en wijze film die het waard is om steeds te herzien, vanwege de dialogen, de vertolkingen (o, die Charles Coburn) en de subtiele verschuivingen in de manieren waarop we niet alleen Henry maar ook de andere personages waarnemen (om nog maar te zwijgen van de fraaie twist wanneer Henry Peggy Nash benadert met heel andere beweegredenen dan zich aanvankelijk laat aanzien). Zoals ene José Arroyo op internet schrijft: "When I grow up I too, like Lubitsch, want see life in its fullness, including its frailties, its cruelties, and its horrors, but through a loving lens and with a chuckle." Overigens getuigt jouw laatste zin van een mooie dichterlijke blik, maar die camerabeweging zou ook gewoon een soort beeldrijm kunnen zijn omdat de focus verder omlaag gaat om uiteindelijk uit te komen bij "that place down below", waar Henry en His Excellency "terugkeren" uit anderhalf uur flashback. (Mooie omschrijving trouwens door Kendahl Cruver van Laird Cregar, de acteur die de duivel speelt: "Cregar even has the right look for the role: sort of handsome, sort of repellant and definitely dangerous looking.")
Excellent piece, yeyo. Just rewatched the film, and you've tapped into some pretty delicate layers. A beautiful and wise film that is worth revisiting again and again for its dialogue, its performances (oh, that Charles Coburn), and its subtle shifts in the ways in which we perceive not only Henry but also the other characters (not to mention forgetting the beautiful twist when Henry approaches Peggy Nash with completely different motives than initially apparent). As one José Arroyo writes on the internet: "When I grow up I too, like Lubitsch, want to see life in its fullness, including its frailties, its cruelties, and its horrors, but through a loving lens and with a chuckle."
By the way, your last sentence shows a beautiful poetic view, but that camera movement could also simply be a kind of visual rhyme because the focus moves further down to ultimately arrive at "that place down below", where Henry and His Excellency "return" from hour and a half flashback. (Nice description by Kendahl Cruver of Laird Cregar, the actor who plays the devil: "Cregar even has the right look for the role: sort of handsome, sort of repellant and definitely dangerous looking.")


Film Pegasus (moderator films)
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- 30283 messages
- 5154 votes
De film begint al zeer mooi als we het decor zien in de hel waar de duivel Henry ontvangt. Visueel blijft het wel goed gedaan, maar is het ook niet zo bijzonder verder in de film. Het verhaal is echt wel gedateerd, en ik hou nochtans van classic Hollywood. De dialogen zijn weinig bijzonder, de acteerprestaties nogal wisselend. Slecht is de film niet, het kabbelt rustig verder en zorgt voor een feel good film. Al had ik er toch meer van verwacht.
The film starts very nicely when we see the setting in hell where the devil receives Henry. Visually it remains well done, but it is not that special further into the film. The story is really dated, and I still love classic Hollywood. The dialogues are not very special, the acting performances are quite variable. The film is not bad, it moves along quietly and provides a feel-good film. Although I expected more from it.

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