Passages plot
An enchanting moving painting with digital color shifts like a palette knife in greasy paint; for those who want to undergo the drug intoxication without chemicals. The work consists of a compilation of material that the filmmaker has developed and edited over a number of years. They are the fruits of many experiments within the limited visual possibilities of digital video. They are rooted in the experiments and observations of experimental cinema, particularly in the 'psychedelic' work of the 1960s and 1970s (by, for example, Pat O'Neil, Scott Bartlet, the Whitney brothers, Stan Brakhage, Al Razutis, Peter Rose , Bruce Connor and Kurt Heyl), but also in the more landscape work (by Peter Hutton or Nathaniel Dorsky), while those predecessors were present from the start in Jost's own work.