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La Frusta e il Corpo (1963)

Horror | 91 minutes
3,25 52 votes

Genre: Horror

Duration: 91 minuten

Alternative titles: The Whip and the Body / Son of Satan / The Body and the Whip / Het Gegeseld Lichaam / Night Is the Phantom / What! / The Whip and the Flesh

Country: Italy / France

Directed by: Mario Bava

Stars: Christopher Lee, Daliah Lavi and Tony Kendall

IMDb score: 6,6 (4.928)

Releasedate: 29 August 1963

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La Frusta e il Corpo plot

"The most deliriously romantic horror picture ever made!"

In the 19th century, a nobleman terrorizes his family. One day, the man is found dead, and his ghost continues what he was doing, targeting the current inhabitants of his castle.

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avatar van Halcyon

Halcyon

  • 9952 messages
  • 0 votes

Visually a picture (reminiscent of Black Sabbath), but in terms of content perhaps too heavy for the modern horror fanatic and therefore only recommended for Bava fans or genre completers.

Personally, I found it a bit of a let down. The plot pays excessive attention to romance - the mutual romances looked a lot like an episode of Mooi&Medogenloos - and there is very little horror. But the typical Bava atmosphere with its beautiful gothic decors and majestic use of color is once again present for the full 100 percent, so that it remains bearable in the end.

dutch flagTranslated from Dutch · View original

avatar van wendyvortex

wendyvortex

  • 5116 messages
  • 7202 votes

Worked extra on Thursday to be able to watch "Trash Kino" again in the evening on ARTE - don't say I'm not willing to pay for it.

Film tends to the Hammer Horror (and Christopher Lee also helps a lot) but with slightly more sexual/sado-masochistic undertones.

The Mario Bava influence will therefore mainly be in him (although the name John M. Old came as a director on the title role - a predecessor of Allan Smithee).

Some very nice visual highlights raise the film just a bit above the average Hammer level, especially the hand that comes straight at the camera is a classic.

dutch flagTranslated from Dutch · View original