The Alibi (2006)
Genre: Comedy / Drama
Duration: 90 minuten
Alternative titles: Lies & Alibis / Lies and Alibis
Country:
United States / Netherlands
Directed by: Matt Checkowski and Kurt Mattila
Stars: Steve Coogan, Rebecca Romijn and James Marsden
IMDb score:
6,3 (6.582)
Releasedate: 12 January 2006
This movie is not available on US streaming services.
The Alibi plot
"We keep your private life private."
Ray Elliott (Coogan) runs a small business that provides cheating husbands with an alibi when they are in danger of being caught. When he gets into trouble with a customer, he must rely on the beautiful Lola Davis to solve the situation.
Actors and actresses
Ray Elliot
Lola Davis
Adelle
Bob Hatch
The Mormon
Heather
Hannibal
Wendell Hatch
Putty
Dorothy
Reviews & comments
Zinema (crew films)
-
- 10270 messages
- 7275 votes
Entertaining film that unfortunately sometimes seems a bit lost and somewhat chaotic. For the observant viewer, however, an entertaining and exciting film is in the offing, with a touch of humor. Good.
Translated from Dutch · View original
Donkerwoud
-
- 8660 messages
- 3940 votes
Old-fashioned comedy about a con man and the shady characters he scams. The film wants us to think it's funnier than it actually is. All supporting roles are extremely thick, but they never really want to laugh. Only the crook in the lead role - typical case of stiff yet stylish Brit - is very well cast. But the supporting roles such as an Arab hit man, Mormon cheating hottie or a lost rich kid who has just committed a murder are not fully exploited. Also a film that borrows from dozens of other superior films. The mysterious unknown person from The Usual Suspects. The confrontation between all the characters from Reservoir Dogs. The stoic Briton from the entire oeuvre of Guy Ritchie.
Translated from Dutch · View original
Roger Thornhill
-
- 6011 messages
- 2445 votes
Another movie... A mix of Ritchie, Tarantino and Soderbergh, with countless familiar faces, constant tongue-in-cheek music, camerawork that "calls for attention to itself", kinetic editing and a wise-cracking voice-over. As Darkwood said above, "The movie wants us to think it's funnier than it actually is." That's the risk with such a film: it is soon "too clever for its own good", because if you don't pay attention for two minutes you miss a handful of complications, but it is simply part of making such a film so quickly. possible to propel. (And then I watched the whole movie carefully and the denouement still came as a complete surprise.) Beautifully filmed, the familiar faces do their thing well, I always like to watch Steve Coogan, and the script is undeniably well and cleverly put together , but afterwards, just like with (the remake of) Ocean's 11, I had the idea that I was looking more at form than at content. And sometimes that's not a bad thing (like with Joe Carnahan's Smokin' aces or more recently Ritchie's The gentlemen), but with The alibi I mostly stayed cold behind. A matter of too many and too exaggerated plot twists for my taste.
Translated from Dutch · View originalLatest News
Mahjong Scenes in Cinema: What They Reveal About Character and Culture
From jump scares to jackpots: why horror movie aesthetics persist in modern online casino design
How Online Casinos Use Hollywood-Level Storytelling in Modern Slot Designs
Five of the Best Licensed Movie Tie In Slot Games You Can Play Now
Corporate & Media
Realtimes Network
Innovatieweg 20C
7007 CD, Doetinchem, Netherlands
+31(315)-764002
